NewsA Kingdom of Emotions
Add date: Sunday, 27 March 2016
Put very simply, Vox Luminis is best known as a vocal and instrumental (mainly vocal) ensemble with an aesthetic falling somewhere between Philippe Herrweghe's gentle pastels, a British balance of voices and fullness of sound. This subtlety, combined with a select repertoire, made the ensemble the perfect choice for performing at the Chapel of St. Kinga at the Wieliczka Salt Mine on Easter Saturday. Traditionally, the concerts are steeped in deep meditation. This time the audience heard Dietrich Buxtehude's cantata cycle "Membra Jesu Nostri" and Agostin Steffani's "Stabat Mater". Vox Luminis were accompanied by instrumentalists from L'Acheron.
Add date: Saturday, 26 March 2016
Whenever a concert headed by Marc Minkowski is announced, audiences wonder what the French conductor will reveal. He has already brought Bach's Passion and Mozart's Great Mass in C-minor to the Misteria Paschalia festival, and yesterday he returned with the highly awaited Requiem.A tasty treat after three centuries
Add date: Friday, 25 March 2016
The internal struggle of St Anthony, the first and the most famous hermit, his journey toward holiness presented in the form of a dialogue between the protagonist, an Angel and Jesus Christ himself – who support him on his road – and the personified Penance were a basis for the libretto of the oratorio by Michele Falco, discovered now after three centuries. Fabio Biondi and his Europa Galante ensemble restored the Oratorio di Sant'Antonio to the world and yesterday captivated the audience gathered in the Krakow Philharmonic.
Add date: Thursday, 24 March 2016
Carlo Gesualdo’s music is not performed often in our country, but it has gained a group of devout fans. Yesterday they were up for a great treat: a set of responsories (albeit performed without the repetitions mandated by the liturgy), published when the author’s life was coming to an end in 1611. During yesterday’s concert, the pieces were performed by the Capella Cracoviensis choir, led by Jan Tomasz Adamus.
Add date: Wednesday, 23 March 2016
Rinaldo Alessandrini appeared in the collective awareness of Polish music lovers some 25 years ago as an author of a new, fresh and innovative interpretation of Monteverdi’s madrigals, brought to life by his ensemble, Concerto Italiano. Over a decade later, the artist became a regular guest of the Misteria Paschalia festival. Yesterday, he had brought with him one of Scarlatti’s oratorios, the rare Cain overo il primo omicidio.